Let’s take Inside Out for example.
In every scene, you can watch each emotion having different reactions and build-ups to their next piece of dialogue. I’d imagine that would be a nightmare for animation teams that are designing each scene.
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I doubt it’s the animators figuring out how they’d move. It’s likely a character design team coming up with the way they move, then the animators interpret that.
So sadness is likely described as having a slow plodding movement. Likely with examples for the animators to work off. Anxiety likely a frenetic movement. Ennui a fluid movement, etc.
I do know that one of the things they had to make sure that things were right was that they had a team of teenage girls going in every couple of months to watch and critique the film.
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