eli5 : What’s the job of Executive Producers on movies and TV series? How much to they contribute to the overall finished product and what differentiates them from regular producers?

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eli5 : What’s the job of Executive Producers on movies and TV series? How much to they contribute to the overall finished product and what differentiates them from regular producers?

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Anonymous 0 Comments

“Executive producer” is a title that people who are involved with movie or TV series negotiate for themselves as part of their overall compensation. It is not a role, it has no particular duties. There are no awards for “best executive producer”, there is no Executive Producer Guild where somebody can go and say “hey, I should have been given an executive producer credit on that movie”.

The people who are in the position of being able to negotiate that credit vary widely – they might be contributing money, they might be writers or actors. They might be the president of the studio who greenlit the project.

They might be a copyright holder or creator of original source material. They might be the most important person on the project: George Lucas is a great example. He never produced any of the movies he is associated with – including the Star Wars and Indiana Jones movies. He did get the executive producer credit on all of them.

Whatever “the job” of those people are, as OP asks, the job doesn’t come from their executive producer title. It comes from their other titles – writer, director, actor, composer, or whatever else they are doing on the project.

Anonymous 0 Comments

“Executive producer” is a title that people who are involved with movie or TV series negotiate for themselves as part of their overall compensation. It is not a role, it has no particular duties. There are no awards for “best executive producer”, there is no Executive Producer Guild where somebody can go and say “hey, I should have been given an executive producer credit on that movie”.

The people who are in the position of being able to negotiate that credit vary widely – they might be contributing money, they might be writers or actors. They might be the president of the studio who greenlit the project.

They might be a copyright holder or creator of original source material. They might be the most important person on the project: George Lucas is a great example. He never produced any of the movies he is associated with – including the Star Wars and Indiana Jones movies. He did get the executive producer credit on all of them.

Whatever “the job” of those people are, as OP asks, the job doesn’t come from their executive producer title. It comes from their other titles – writer, director, actor, composer, or whatever else they are doing on the project.

Anonymous 0 Comments

Additionally, besides being “the money” or “the business representative”, an important person involved in the show might be given an EP title to make them feel special or as part of a negotiation. For example, George R. R. Martin was an EP on the original Game of Thrones TV show even though he wasn’t hiring people or giving money etc.

Anonymous 0 Comments

Additionally, besides being “the money” or “the business representative”, an important person involved in the show might be given an EP title to make them feel special or as part of a negotiation. For example, George R. R. Martin was an EP on the original Game of Thrones TV show even though he wasn’t hiring people or giving money etc.

Anonymous 0 Comments

The executive producer is the top role on a TV series.

They supervise other producer roles (supervising producer, producer, co-producer, associate producer, line producer, production managers, production designers, production assistants, etc.) as well as writers, directors, casting, actors, and other crew leads. They are ultimately responsible for the budget, the schedule, and all the creative content — although a lot of that responsibility is delegated to their teams.

Sometimes there may be multiple executive producers. The one with the majority of the day-to-day responsibility is usually called the “showrunner,” which is not a formal title but used to designate who is *really* in charge. Sometimes the “executive producer” title is given to star actors or others who might not actually be doing the same level of day-to-day production work, so the showrunner is the “lead executive producer” that gets to boss around other people who may have been giving the “executive producer” credit as a reward and importance, not because of their daily responsibilities.

Increasingly, in modern television, the lead writer of the series (who frequently is also the creator of the series) is the showrunner / lead executive producer.

The above applies to US television productions. The titles and management structure is different in the UK and probably in other countries as well.

The “executive producer” title is different in film than it is in TV. In film, the executive producer has much less day-to-day involvement in the production, and the film’s director is usually the top person once production gets under way. In film, the people with executive producer title are sometimes just the people who fronted the money to make the film and have no further involvement.

But sometimes executive producers might be involved in the *pre*-production creative process — hiring directors, casting, etc. — because they are safeguarding their investment. This is especially true with directors/writers who also are executive producers on films that they *don’t* direct/write.

E.g. Steven Spielberg has been an executive producer on films like the Back To The Future series (directed by Robert Zemeckis), the Transformers series (directed by Michael Bay), the Men In Black series (directed by Barry Sonnenfeld), etc. Spielberg is putting up money for those films through his Amblin Entertainment production company … but if Spielberg *also* wants to provide input into scripts, casting, production design, etc. *in addition to* his bags of money, you can bet the rest of the production team is going to listen to that input. Because, you know: the *highest grossing director in history* wants to give you feedback, you *listen*.

Anonymous 0 Comments

The executive producer is the top role on a TV series.

They supervise other producer roles (supervising producer, producer, co-producer, associate producer, line producer, production managers, production designers, production assistants, etc.) as well as writers, directors, casting, actors, and other crew leads. They are ultimately responsible for the budget, the schedule, and all the creative content — although a lot of that responsibility is delegated to their teams.

Sometimes there may be multiple executive producers. The one with the majority of the day-to-day responsibility is usually called the “showrunner,” which is not a formal title but used to designate who is *really* in charge. Sometimes the “executive producer” title is given to star actors or others who might not actually be doing the same level of day-to-day production work, so the showrunner is the “lead executive producer” that gets to boss around other people who may have been giving the “executive producer” credit as a reward and importance, not because of their daily responsibilities.

Increasingly, in modern television, the lead writer of the series (who frequently is also the creator of the series) is the showrunner / lead executive producer.

The above applies to US television productions. The titles and management structure is different in the UK and probably in other countries as well.

The “executive producer” title is different in film than it is in TV. In film, the executive producer has much less day-to-day involvement in the production, and the film’s director is usually the top person once production gets under way. In film, the people with executive producer title are sometimes just the people who fronted the money to make the film and have no further involvement.

But sometimes executive producers might be involved in the *pre*-production creative process — hiring directors, casting, etc. — because they are safeguarding their investment. This is especially true with directors/writers who also are executive producers on films that they *don’t* direct/write.

E.g. Steven Spielberg has been an executive producer on films like the Back To The Future series (directed by Robert Zemeckis), the Transformers series (directed by Michael Bay), the Men In Black series (directed by Barry Sonnenfeld), etc. Spielberg is putting up money for those films through his Amblin Entertainment production company … but if Spielberg *also* wants to provide input into scripts, casting, production design, etc. *in addition to* his bags of money, you can bet the rest of the production team is going to listen to that input. Because, you know: the *highest grossing director in history* wants to give you feedback, you *listen*.

Anonymous 0 Comments

That depends entirely on which movie or TV series is involved. Union rules have been instituted limiting who qualifies for an EP credit, but they’re pretty broad.

Anonymous 0 Comments

That depends entirely on which movie or TV series is involved. Union rules have been instituted limiting who qualifies for an EP credit, but they’re pretty broad.

Anonymous 0 Comments

Executive Producers, along with other producers, are the business side of a TV show or movie. The ones who line up financing/set budget, allocate that budget to hire the actors, hire writers, build sets and arrange locations, hire crew, rent equipment, pay for all the post-filming editing, effects, etc. as well as distribution, marketing.

Typically executive producers are the ones who have an equity stake in the endevor. They may have invested their own money into the production, as well as been the one to sell it to investors (or sell the show to a network). They are ones who earn royalties for sales, streaming rights, syndication, etc. They are typically the production company head or the person in charge of a film, but you’ll also often see stars listed as executive producers meaning they not only get their salary but also get a cut of royalties going forward.

Anonymous 0 Comments

Executive Producers, along with other producers, are the business side of a TV show or movie. The ones who line up financing/set budget, allocate that budget to hire the actors, hire writers, build sets and arrange locations, hire crew, rent equipment, pay for all the post-filming editing, effects, etc. as well as distribution, marketing.

Typically executive producers are the ones who have an equity stake in the endevor. They may have invested their own money into the production, as well as been the one to sell it to investors (or sell the show to a network). They are ones who earn royalties for sales, streaming rights, syndication, etc. They are typically the production company head or the person in charge of a film, but you’ll also often see stars listed as executive producers meaning they not only get their salary but also get a cut of royalties going forward.