In my cultural center/ movie theater we get a digital key via mail and then use that key to upload the movie over the internet to our digital projector, which then checks the hardware key and only then you can choose the format you want to play the movie in.
Had a problem when the CPU of the projector had to be replaced and then the movie wouldn’t play because of the key being wrong.
Didn’t work in the industry, but I run a little movie group and got a tour of the “projection booth.” The manager told us they do the hard drive version mentioned by others but that they came in two pieces. So the whole movie wasn’t all on one drive and that they were moving to the satellite method.
Also it wasn’t a booth. It was the whole upstairs, the projectors were huge like a refrigerator and they are all programed. No one attends them. So if there’s something wrong with your movie, don’t yell up to the booth. You have to go out to the lobby and tell someone.
Heh, I actually wanted to know that too. I was a projectionist in the 90s and every week we got a truckload full of big heavy film canisters that I had to put together before showing and taken apart again afterwards. Was a real pain to do and imagine hauling 20 of those suckers up and down 2 flights of stairs… I knew everything has long since gone digital but never really knew how.
Digital Cinema Packages are sent via physical hard drive or (more commonly nowadays) digitally transmitted via a secure tunnel over the ‘net. They don’t stream in general.
Once a complete DCP is received by the exhibitor it’s ingested into their central management system or directly into players. However, they can’t play it without a KDM – a cryptographic key that uses the serial number of the security manager to decrypt the DCP and make it playable.
Feel free to bug me with questions, literally been doing this since 2012.
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