I don’t think I’ve ever seen a stage performance where there’s a pop filter, but they’re extremely common in recording. I record myself with a pretty good microphone and the plosives can become fairly obvious without the filter. I also believe it’s not a thing that can easily be countered live by any soundboard wizardry. So how do they get around this live? Or maybe they don’t and we just don’t really notice?
In: 13
Latest Answers