I don’t think I’ve ever seen a stage performance where there’s a pop filter, but they’re extremely common in recording. I record myself with a pretty good microphone and the plosives can become fairly obvious without the filter. I also believe it’s not a thing that can easily be countered live by any soundboard wizardry. So how do they get around this live? Or maybe they don’t and we just don’t really notice?
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I don’t know about technology, but in terms of minimizing or eliminating plosives, some singers train to not vocalize them. I was in a jazz choir where this was discussed and also in a Spanish linguistics class where we had a whole unit dedicated to eliminating the “pop” that native English speakers put on p and b which are absent in Spanish. It’s a pain, but you can consciously avoid it if you practice enough.
I’d guess there is some tech wizardry involved though too.
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