Due to technology limitations, very low and very high-pitched sounds didn’t get recorded very well—or at all—before the 1950s. Part of what gives a voice its tone is those pitches.
Also, in the old days, many performers were trained to vocalize a certain way and to use a sort of nasal, posh accent which carried well and remained easy to understand in large venues or in lo-fi recordings. Presenters and narrators often used this “standard” public-speaking voice because it sounded authoritative.
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