Montage theory asserts that a series of connected images allows for complex ideas to be extracted from a sequence and, when strung together, constitute the entirety of a film’s ideological and intellectual power. In other words, the editing of shots rather than the content of the shot alone constitutes the force of a film.
How the shots are strung together is just as important as the subject of each shot.
[Good explanation here](https://www.studiobinder.com/blog/soviet-montage-theory/)
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