Because the audio and the video you experience at the same time on TV aren’t necessarily captured at the same time.
When a drummer is shot wide, they’re probably miming actually playing. You see the movement of their shoulders maybe, but they’re way in the background.
For close up shots, the audio is thrown away (because you’re right, it would be garbage) and replaced at the editing stage whatever perfect, pristine studio recording they want to pretend that band sounds like.
Because the audio and the video you experience at the same time on TV aren’t necessarily captured at the same time.
When a drummer is shot wide, they’re probably miming actually playing. You see the movement of their shoulders maybe, but they’re way in the background.
For close up shots, the audio is thrown away (because you’re right, it would be garbage) and replaced at the editing stage whatever perfect, pristine studio recording they want to pretend that band sounds like.
In a professional mainstream TV show, usually you have drum heads that made to not create sounds, so called “mesh heads”. Cymbals are usually two cymbals on top of each others (you can’t use rubber as you’d see it on TV). Kickdrum very often has a special trigger that doesn’t produce proper sound. The drummer needs to know what he is playing, but his set will give an extremely muffled sound. The audience will not hear anything he does as long as he is playing in time and knows his breaks.
In a professional mainstream TV show, usually you have drum heads that made to not create sounds, so called “mesh heads”. Cymbals are usually two cymbals on top of each others (you can’t use rubber as you’d see it on TV). Kickdrum very often has a special trigger that doesn’t produce proper sound. The drummer needs to know what he is playing, but his set will give an extremely muffled sound. The audience will not hear anything he does as long as he is playing in time and knows his breaks.
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