It is difficult to say “why” we associate certain combinations of sounds with specific emotions – there are some theories that we have developed to get alerted by specific non-harmonious sounds, that may indicate the presence of predators, while other sounds – like birdsong – indicate no danger. Or at least we had an advantage in interpreting warning and/or “all clear”-sounds from other species… But to me this all sounds rather far-fetched.
Fact is, some of these combinations (like the perfect fourth or fifth) are perceived as harmonic, others (like the tritone) don’t immediately harmonize.
However, I would not agree that “some chords” don’t sound good: a crafty musician can make any chord sound “good”, by just putting it into the right context. This is admittedly easier for some chords than for others … or maybe it is just that most of us just have more experience with how to use, e.g. Am than something as harmonically complex as e.g. F#13b9.
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