Why do higher musical notes sound physically “higher”?

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We use the term “higher” to describe notes of smaller wavelengths, and this term seems strangely fitting in a way that I don’t quite understand. For example, when a band is playing heavy bass notes and then a singer comes in with treble notes, it seems like the vocal notes are actually physically *higher* (like, in the room or in my ears) than the bass notes.

Is this a real thing? Or am I just imagining it? Or is it just subconscious association with the words “high” and “low” which we use to describe these notes? Or maybe I’m just noticing that speakers and venues usually put the woofers on the bottom and the tweeters on the top?

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Anonymous 0 Comments

Different languages use different metaphors and their speakers feel pitch accordingly. There’s no real reason it’s high/low and not thin/thick or narrow/wide out any other pair of opposites

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