Pretty much what the title says. I understand that widescreen works in movie theaters, but the content will inevitably spend the vast majority of its life on the screens people have at home. Why lose so much picture real estate in favor of two thick black bars?
I’m sure there’s an obvious answer I’m missing, so please go gentle on me. I’m no cinematographer; this is just something that has been bugging me for quite some time. I feel like I’m not getting everything I could from movies/shows nowadays, because everyone seems to be determined to pursue this (imho pointless) “cinematic” look.
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It’s a stylistic choice, and it’s about the composition of the shots. Remember how there used to be black bars at the top and bottom of 16:9 images on 4:3 displays so you could see all of the widescreen picture inside the bars? It’s the same principle.
Now that 4:3 displays are virtually non existent and everything is 16:9 (standard widescreen) I think there are more decisions being made to use letterboxed 2.35:1 and similar ratios to allow extra-wide shots that, 20 years ago, would have been cut virtually in half for TV pan and scan transmission, for a more cinematic look.
I can’t imagine watching the Star Wars movies, to use an obvious example, in anything but 2.35:1 because they’re the perfect format for allowing as much of a glimpse at the alien landscapes as possible. Just wouldn’t be the same in the standard 16:9 imo.
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