What is it that makes the pitch similar in both Celtic and Arabic music, and why is this pitch unusual in other western music?

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What is it that makes the pitch similar in both Celtic and Arabic music, and why is this pitch unusual in other western music?

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Anonymous 0 Comments

So I’m gonna borrow a little bit from Saphir-Worf (which thanks to Arrival and fevered dreams right after, I’m a little obsessed with now) – how much of the Celtic language and Arabic language influenced their unique musical approaches? Same for Hindi since it was mentioned here. I speak 2 of those 3 (kinda) so I’m even more curious now…

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