I cannot seem to wrap my head around this. I can understand how this would work when recording a live band, because the sound is already “mastered”. But I can’t seem to understand how it’s done when different tracks are recorded separately.
It’s all about the timing of the soundwaves hitting each ear nanoseconds apart. Our brains are very good at audio-spatial recognition. But they can be fooled too and I’m sure there are some mathematics tricks in more modern 7:2 and 9:2 mixes.
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